{"id":193995,"date":"2022-08-12T17:50:15","date_gmt":"2022-08-12T15:50:15","guid":{"rendered":"http:\/\/www.bellaumbria.net\/citta-buzziana-2\/"},"modified":"2023-06-07T12:39:34","modified_gmt":"2023-06-07T10:39:34","slug":"citta-buzziana","status":"publish","type":"post","link":"https:\/\/www.bellaumbria.net\/en\/history-and-archeology\/citta-buzziana","title":{"rendered":"Citt\u00e0 Buzziana"},"content":{"rendered":"
\n

L’architetto Tommaso Buzzi (1900-1981) acquist\u00f2 l’area del Convento della Scarzuola<\/a> nel 1956 e progett\u00f2 e realizz\u00f2 la\u00a0Citt\u00e0 Buzziana<\/strong>\u00a0che vi sorge accanto nel giro di venti anni.
\nL’obiettivo che si era posto sin dall’inizio era quello di concepire una “citt\u00e0 ideale”, in cui potesse avvenire una sorta di incontro della natura con la cultura. Ne \u00e8 scaturito un complesso architettonico nel quale sono disseminati simbolismi, allegorie e citazioni di ogni tipo, particolarmente ricco di stanze piccole e vuote che lo rendono simile ad un gigantesco termitaio.<\/p>\n

>>Vuoi vedere questo capolavoro? Consulta ora le offerte dei migliori hotel nelle vicinanze di\u00a0Montegabbione.<\/strong><\/a><\/p>\n

\"\"<\/a><\/p>\n

>> Ci sono offerte\u00a0 in scadenza per agriturismi nella zone di Montegabbione! Clicca e consultale subito.<\/a><\/strong><\/p>\n

Tommaso Buzzi \u00e8 considerato uno dei pi\u00f9 interessanti designer italiani del Novecento, oggetto di studi anche in questi ultimi anni. Protagonista della scena milanese degli anni Venti e Trenta, ebbe importanti ruoli organizzativi in numerose manifestazioni e rassegne dedicate alle arti applicate, sia nazionali che internazionali. Si impegn\u00f2 nel campo della progettazione di mobili ed oggetti d’arredo in generale. La fantasia e l’irriverenza, untiti al continuo utilizzo di citazioni umanistiche, letterarie e classiche che contraddistinguevano le sue opere, gli valsero la simpatia e la fedelt\u00e0 della nobilt\u00e0 e dell’alta borghesia milanese, anche se probabilmente impedirono all’architetto di raggiungere una notoriet\u00e0 al di fuori di quegli ambti ristretti.<\/p>\n

Nel 1956, quando si ritir\u00f2, decise di acquistare il convento della Scarzuola e di trasformarlo in una sorta di “autobiografia in pietra” della sua carriera di artista, come afferma nel suo libro ” Lettere Pensieri Appunti 1937-1979″ (Silvana, Milano 2000). Fu cos\u00ec che gener\u00f2 questo ponte ideale tra sacro e profano, tra vecchio e moderno, conservando intatta la struttura conventuale, ma affiancandole allo stesso tempo la sua “citt\u00e0 ideale”.<\/p>\n

La Citt\u00e0 Buzziana<\/em> \u00e8 una composizione architettonica ispirata al neomanierismo, ben visibile dalle numerose scalinate che attraversano il complesso, dall’allungamento e la sproporzione di forme e dalle numerose statue disseminate ovunque. L’opera \u00e8 divisa in sette teatri: il Teatro delle Arnie, il Teatro della Torre, il Teatro sull’acqua, il Patio tondo, il Patio infinito, il Teatrino sportivo e, infine, il Teatro dell’Acropoli, in cima a tutta la struttura. Quest’ultimo \u00e8 l’edificio pi\u00f9 in alto, che domina la struttura e si affaccia sul paesaggio di Montegiove. La variet\u00e0 di figure che possiamo ammirare nella Citt\u00e0 Buzziana comprende Pegaso, la Torre dell’Angelo Custode e del Tempo, templi dedicati alle pi\u00f9 svariate divinit\u00e0, la Torre di Babele. Tra le numerose scale risaltano la Scala Musicale delle Sette Ottave e la Scala di Giobbe.<\/p>\n

\u00a0>>Se hai deciso di vedere la Citt\u00e0 Buzziana ti consigliamo di contattare ora gli hotel nelle sue vicinanze >> clicca questo link.<\/strong><\/a><\/p>\n<\/div>\n

\n

The architect Tommaso Buzzi (1900 – 1981) bought the area surrounding the Scarzuola Convent<\/a> in 1956 and he planned and realized the\u00a0Citt\u00e0 Buzziana<\/strong>, rising near the convent, in twenty years’ time.<\/p>\n

The aim of his plan was to create a sort of “ideal” city where a blend between nature and culture could take place. The result has been an architectural complex where symbolisms, allegories and any kind of citations are scattered throughout it and where there are many small and empty rooms that make it appear like a giant termitarium.
\nTommaso Buzzi is considered one of the most interesting Italian designers of the XX century and he has been a subject of research during the last years. He was a protagonist in Milan in the 20’s and the 30’s of the XX century. He played an important role as the organizer of numerous manifestations and reviews about national and international applied arts. He worked in the domain of furniture and planning.<\/p>\n

Fantasy and irreverence, together with the continuous use of humanistic, literary and classical quotations that distinguished his works, earned him the sympathies and the loyalty of the nobles and the high society, even though they probably prevented the architect from being renowned outside these environments.
\nIn 1956, when he retired, he decided to buy the convent of the Scarzuola and to transform it into a sort of “autobiography on stone” of his career as an artist, as he himself states in his book “Lettere Pensieri Appunti 1937-1979” (Silvana, Milano 2000). This is how he created this bridge between old and new, keeping the structure of the convent and adding his “ideal city” to it.<\/p>\n

The Citt\u00e0 Buzziana is an architectural composition inspired from neo-Mannerism as it can be inferred from the staircases that cross the complex and by the extension and the lack of proportion of its shapes, but also from the numerous statues that are present everywhere.<\/p>\n

This work is divided into seven theatres: the Teatro delle Arnie, the Teatro della Torre, the Teatro sull’acqua, the Patio tondo, the Patio infinito, the Teatrino sportivo and, finally, the Teatro dell’ Acropoli, on top of the whole structure. The latter is the highest building that overlooks the complex and the landscape of Montegiove. The variety of figures that can be admired inside the Citt\u00e0 Buzziana<\/em> includes Pegaso, the Torre dell’Angelo Custode e del Tempo. There are temples dedicated to the most diverse deities and the Torre di Babele. Among the numerous staircases, the Scala Musicale delle Sette Ottave and the Scala di Giobbe stand out.<\/p>\n<\/div>\n

\n

The architect Tommaso Buzzi (1900 – 1981) bought the area surrounding the Scarzuola Convent<\/a> in 1956 and he planned and realized the\u00a0Citt\u00e0 Buzziana<\/strong>, rising near the convent, in twenty years’ time.<\/p>\n

The aim of his plan was to create a sort of “ideal” city where a blend between nature and culture could take place. The result has been an architectural complex where symbolisms, allegories and any kind of citations are scattered throughout it and where there are many small and empty rooms that make it appear like a giant termitarium.
\nTommaso Buzzi is considered one of the most interesting Italian designers of the XX century and he has been a subject of research during the last years. He was a protagonist in Milan in the 20’s and the 30’s of the XX century. He played an important role as the organizer of numerous manifestations and reviews about national and international applied arts. He worked in the domain of furniture and planning.<\/p>\n

Fantasy and irreverence, together with the continuous use of humanistic, literary and classical quotations that distinguished his works, earned him the sympathies and the loyalty of the nobles and the high society, even though they probably prevented the architect from being renowned outside these environments.
\nIn 1956, when he retired, he decided to buy the convent of the Scarzuola and to transform it into a sort of “autobiography on stone” of his career as an artist, as he himself states in his book “Lettere Pensieri Appunti 1937-1979” (Silvana, Milano 2000). This is how he created this bridge between old and new, keeping the structure of the convent and adding his “ideal city” to it.<\/p>\n

The Citt\u00e0 Buzziana is an architectural composition inspired from neo-Mannerism as it can be inferred from the staircases that cross the complex and by the extension and the lack of proportion of its shapes, but also from the numerous statues that are present everywhere.<\/p>\n

This work is divided into seven theatres: the Teatro delle Arnie, the Teatro della Torre, the Teatro sull’acqua, the Patio tondo, the Patio infinito, the Teatrino sportivo and, finally, the Teatro dell’ Acropoli, on top of the whole structure. The latter is the highest building that overlooks the complex and the landscape of Montegiove. The variety of figures that can be admired inside the\u00a0Citt\u00e0 Buzziana<\/em>\u00a0includes Pegaso, the Torre dell’Angelo Custode e del Tempo. There are temples dedicated to the most diverse deities and the Torre di Babele. Among the numerous staircases, the Scala Musicale delle Sette Ottave and the Scala di Giobbe stand out.<\/p>\n

 <\/p>\n

 <\/p>\n<\/div>\n

\n

The architect Tommaso Buzzi (1900 – 1981) bought the area surrounding the Scarzuola Convent<\/a> in 1956 and he planned and realized the\u00a0Citt\u00e0 Buzziana<\/strong>, rising near the convent, in twenty years’ time.<\/p>\n

The aim of his plan was to create a sort of “ideal” city where a blend between nature and culture could take place. The result has been an architectural complex where symbolisms, allegories and any kind of citations are scattered throughout it and where there are many small and empty rooms that make it appear like a giant termitarium.
\nTommaso Buzzi is considered one of the most interesting Italian designers of the XX century and he has been a subject of research during the last years. He was a protagonist in Milan in the 20’s and the 30’s of the XX century. He played an important role as the organizer of numerous manifestations and reviews about national and international applied arts. He worked in the domain of furniture and planning.<\/p>\n

Fantasy and irreverence, together with the continuous use of humanistic, literary and classical quotations that distinguished his works, earned him the sympathies and the loyalty of the nobles and the high society, even though they probably prevented the architect from being renowned outside these environments.
\nIn 1956, when he retired, he decided to buy the convent of the Scarzuola and to transform it into a sort of “autobiography on stone” of his career as an artist, as he himself states in his book “Lettere Pensieri Appunti 1937-1979” (Silvana, Milano 2000). This is how he created this bridge between old and new, keeping the structure of the convent and adding his “ideal city” to it.<\/p>\n

The Citt\u00e0 Buzziana is an architectural composition inspired from neo-Mannerism as it can be inferred from the staircases that cross the complex and by the extension and the lack of proportion of its shapes, but also from the numerous statues that are present everywhere.<\/p>\n

This work is divided into seven theatres: the Teatro delle Arnie, the Teatro della Torre, the Teatro sull’acqua, the Patio tondo, the Patio infinito, the Teatrino sportivo and, finally, the Teatro dell’ Acropoli, on top of the whole structure. The latter is the highest building that overlooks the complex and the landscape of Montegiove. The variety of figures that can be admired inside the\u00a0Citt\u00e0 Buzziana<\/em>\u00a0includes Pegaso, the Torre dell’Angelo Custode e del Tempo. There are temples dedicated to the most diverse deities and the Torre di Babele. Among the numerous staircases, the Scala Musicale delle Sette Ottave and the Scala di Giobbe stand out.<\/p>\n

 <\/p>\n

 <\/p>\n<\/div>\n

\n

The architect Tommaso Buzzi (1900 – 1981) bought the area surrounding the Scarzuola Convent<\/a> in 1956 and he planned and realized the\u00a0Citt\u00e0 Buzziana<\/strong>, rising near the convent, in twenty years’ time.<\/p>\n

The aim of his plan was to create a sort of “ideal” city where a blend between nature and culture could take place. The result has been an architectural complex where symbolisms, allegories and any kind of citations are scattered throughout it and where there are many small and empty rooms that make it appear like a giant termitarium.
\nTommaso Buzzi is considered one of the most interesting Italian designers of the XX century and he has been a subject of research during the last years. He was a protagonist in Milan in the 20’s and the 30’s of the XX century. He played an important role as the organizer of numerous manifestations and reviews about national and international applied arts. He worked in the domain of furniture and planning.<\/p>\n

Fantasy and irreverence, together with the continuous use of humanistic, literary and classical quotations that distinguished his works, earned him the sympathies and the loyalty of the nobles and the high society, even though they probably prevented the architect from being renowned outside these environments.
\nIn 1956, when he retired, he decided to buy the convent of the Scarzuola and to transform it into a sort of “autobiography on stone” of his career as an artist, as he himself states in his book “Lettere Pensieri Appunti 1937-1979” (Silvana, Milano 2000). This is how he created this bridge between old and new, keeping the structure of the convent and adding his “ideal city” to it.<\/p>\n

The Citt\u00e0 Buzziana is an architectural composition inspired from neo-Mannerism as it can be inferred from the staircases that cross the complex and by the extension and the lack of proportion of its shapes, but also from the numerous statues that are present everywhere.<\/p>\n

This work is divided into seven theatres: the Teatro delle Arnie, the Teatro della Torre, the Teatro sull’acqua, the Patio tondo, the Patio infinito, the Teatrino sportivo and, finally, the Teatro dell’ Acropoli, on top of the whole structure. The latter is the highest building that overlooks the complex and the landscape of Montegiove. The variety of figures that can be admired inside the\u00a0Citt\u00e0 Buzziana<\/em>\u00a0includes Pegaso, the Torre dell’Angelo Custode e del Tempo. There are temples dedicated to the most diverse deities and the Torre di Babele. Among the numerous staircases, the Scala Musicale delle Sette Ottave and the Scala di Giobbe stand out.<\/p>\n

 <\/p>\n

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