{"id":193983,"date":"2022-08-12T17:50:13","date_gmt":"2022-08-12T15:50:13","guid":{"rendered":"http:\/\/www.bellaumbria.net\/lungarotti-wine-museum\/"},"modified":"2023-06-13T11:33:38","modified_gmt":"2023-06-13T09:33:38","slug":"lungarotti-wine-museum","status":"publish","type":"post","link":"https:\/\/www.bellaumbria.net\/en\/museums-and-art-galleries\/lungarotti-museum","title":{"rendered":"Lungarotti Wine museum"},"content":{"rendered":"
\n

Voluto e realizzato da Giorgio Lungarotti con la moglie Maria Grazia, il Museo del Vino<\/strong> \u00e8 stato aperto al pubblico nel 1974 ed \u00e8 oggi gestito dalla Fondazione Lungarotti.\u00a0<\/em>Ha sede presso il borgo di\u00a0Torgiano,<\/strong> nella pars agricola del monumentale palazzo Graziani-Baglioni<\/em>, dimora estiva gentilizia del XVII secolo.<\/p>\n

Il percorso museale, sviluppato lungo\u00a0venti sale,<\/strong>\u00a0propone oltre 2800 manufatti, esposti secondo criteri museografici moderni e di grande rigore scientifico.<\/p>\n

Oltre al Museo del Vino la Fondazione Lungarotti cura anche il Museo dell’Olivo e dell’Olio<\/a>, sempre a Torgiano.<\/p>\n

\"\"<\/a><\/p>\n

>> Vieni a Torgiano e visita il particolare Museo del Vino. Trovi qui i migliori agriturismi!<\/a><\/h2>\n

Il Museo del Vino<\/h1>\n

Reperti archeologici<\/strong> (brocche cicladiche e vasi hittiti; ceramiche greche, etrusche e romane; vetri e bronzi), attrezzi e corredi tecnici<\/strong> per la viticoltura e la vinificazione, contenitori vinari<\/strong> in ceramica di et\u00e0 medioevale, rinascimentale, barocca e contemporanea, incisioni e disegni dal XV al XX secolo, edizioni colte di testi su viticoltura ed enologia, manufatti di arte orafa, tessuti ed altre testimonianze di “arti minori”<\/em> documentano l’importanza del vino nell’immaginario collettivo dei popoli<\/strong> che hanno abitato nel corso dei millenni il bacino del Mediterraneo e l’Europa continentale. A partire dal mondo antico, vite, uva e vino,<\/em> elementi portanti nella economia agricola di quei popoli, hanno alternato a valenze puramente economiche usi e significati religiosi e profani. Dai tempi pi\u00f9 remoti fino ad oggi, il loro ricorrere nelle arti e nei mestieri \u00e8 costante, sia come spunto iconografico, sia a scopo produttivo. Le singole raccolte presenti al museo propongono il tema vitivinicolo e bacchico come filo conduttore per la lettura delle vicende storiche delle quali i singoli oggetti divengono espressione.<\/p>\n

Nella sezione archeologica<\/strong>, rivestono particolare interesse la kylix<\/em> con iscrizione firmata da Phrinos, esponente del Gruppo dei Piccoli Maestri, bell’esempio di ceramica attica, databile VI secolo a.C. e l’elegante ask\u00f3s bronzeo di area vesuviana, risalente al I secolo d.C..<\/p>\n

La collezione di ceramiche<\/strong> valorizza una delle attivit\u00e0 che maggiormente hanno caratterizzato la cultura artistica umbra; tra le numerose opere, tutte rappresentative di scuole e tecniche, degna di nota \u00e8 la grande hydria<\/em> del XIV secolo con centauro leontiforme e sirena e la fiasca da parata urbinate, proveniente dalla bottega di Orazio Fontana, che presenta nell’ornato una esemplare “composizione” di soggetti tratti da Raffaello e Giulio Romano. Nella vetrina dei piatti rinascimentali istoriati, risalta L’infanzia di Bacco<\/em> <\/strong>di Mastro Giorgio Andreoli.\u00a0<\/em>Tratto da incisione di Marcantonio Raimondi su idea di Raffaello, presenta colori particolarmente vivi, con iridescenze di grande suggestione, risultato della laboriosa tecnica del lustro.\u00a0Nella sezione vino-medicina<\/strong>, vasi da farmacia – di tipologie e centri produttivi differenti – sono affiancati ad edizioni d’epoca di testi medici.\u00a0Il percorso ceramico si conclude con una collezione di opere moderne<\/strong>, tra cui il Dionysos Eydendros<\/em> di Joe Tylson e La Baccante<\/em> firmata da Nino Caruso.<\/p>\n

La collezione di incisioni<\/strong> offre numerosi motivi di interesse: si apre con un Baccanale di Andrea Mantegna (XV secolo) e mostra lo svolgersi del tema dionisiaco lungo i secoli e la fortuna dell’allegoria della vite nella cristianit\u00e0 presso gli incisori pi\u00f9 rappresentativi del manierismo. A documentare le tecniche di vinificazione, sopra tutti l’imponente torchio eugubino a trave, della tipologia detta “di Catone”<\/em>, per la descrizione fattane dall’agronomo romano tra il II e il I secolo a.C.<\/p>\n

\"\"<\/a><\/p>\n

>> Sono tante le offerte in scadenza per soggiornare in Umbria e nella zona di Torgiano, scoprile ora!<\/a><\/h2>\n

Informazioni pratiche<\/h1>\n

Orari di apertura del Museo:<\/strong><\/p>\n

* Ottobre – Marzo: 10-13 \/ 15-17 dal marted\u00ec alla domenica (chiusi luned\u00ec)<\/p>\n

* Aprile – Giugno: 10-13 \/ 15-18 dal marted\u00ec alla domenica (chiusi luned\u00ec)<\/p>\n

* Luglio – Settembre: 10-18 aperti tutti i giorni<\/p>\n

NB: I Musei sono chiusi il 25 dicembre.<\/p>\n

Se ti trovi a Torgiano, ti consigliamo di visitare anche il Museo dell’Olivo e dell’Olio<\/strong>
\n–>\u00a0clicca qui per tutte le informazioni<\/a><\/p>\n<\/div>\n

\n

Conceived and created by Giorgio Lungarotti and his wife Maria Grazia, the Wine Museum<\/strong> was opened to the public in 1974 and is now managed by the Lungarotti Foundation<\/em>. It is located in Torgiano<\/strong> in the pars agricola of the monumental Graziani-Baglioni<\/em>\u00a0Maison, a 17th century noble summer residence.<\/p>\n

The museum covers twenty rooms and displays<\/strong> more than 2800 pieces, organized according to modern museological criteria and rigorous scientific protocol.<\/p>\n

In addition\u00a0to the Wine Museum,\u00a0Lungarotti\u00a0Foundation\u00a0also owns the\u00a0Olive and Oil Museum<\/a>, also in\u00a0Torgiano.<\/p>\n

\"\"<\/a><\/p>\n

>> Come to Torgiano and visit the particular Wine Museum. Here you can find the best farmhouses!<\/a><\/span><\/h2>\n

The Wine Museum<\/h1>\n

Archeological finds<\/strong> (Cycladic jugs and Hittite vases; Greek, Etruscan and Roman ceramics; glassware and bronze pieces) technical equipment and sets<\/strong> for viticulture and vinification, ceramic wine vessels<\/strong> from the Medieval, Renaissance, Baroque and contemporary periods, engravings and drawings from the 15th to 20th centuries, learned texts on viticulture and enology, artifacts of goldsmithery, weaving and other pieces representing the applied arts, all document the importance of wine in the collective imagery<\/strong> of the civilizations that over the millennia have lived in the Mediterranean basin and continental Europe. Starting back in antiquity, the vine, grapes and wine<\/em>, essential elements in the agricultural economy of these peoples, have alternated between purely economic values and the religious and profane traditions and meanings
\n. From the most remote era to today, their recurrence in arts and crafts is constant, either as a symbol for inspiration or for productive reasons. The individual collections in the museum propose the theme of viticulture and Bacchus as a leitmotiv<\/strong> for reading the historical events which the individual pieces depict.<\/p>\n

In the archeological section<\/strong>, the most interesting piece is the Kylix<\/em> with an inscription signed by Phrinos, a member of the Group of Minor Masters, a lovely example of Attic ceramics, datable to the 6th century B.C. and the elegant Ask\u00f3s<\/em> in bronze from the Vesuvian area, dating back to the 1st century A.D.<\/p>\n

The ceramics collection<\/strong> highlights one of the crafts that have most importantly characterized Umbria’s artistic heritage; among the many pieces on display, all of which represent different schools and techniques, of particular note is the large 14th century hydria with a lion-shaped centaur and a mermaid, as well as the pilgrim’s flask from Urbino, from the workshop of Orazio Fontana, whose ornate decoration includes a composition of subjects from Raffaello and Giulio Romano. In the display case with historiated renaissance plates, the plate called “L’Infanzia di Bacco \/ The childhood of Bacchus”<\/em><\/strong>\u00a0by Mastro Giorgio Andreoli<\/em> stands out. Inspired by an engraving by Marcantonio Raimondi from an idea of Raphael, it has particularly vivid colours and evocative iridescence resulting from the difficult luster-ware technique. In the section wine and medicine<\/strong>, apothecary vases – of various types and production areas – are matched with antique medical texts. The ceramics portion closes with a collection of modern works<\/strong>, among which are Dionysos Eydendros<\/em> by Joe Tylson and La Baccante<\/em> by Nino Caruso.<\/p>\n

The engravings collection<\/strong> offers many points of interest: starting with a Bacchanalia by Andrea Mantegna (15th century) the collection shows the evolution of the dionysian theme over the centuries and the fortunes of the vineyard allegory in Christianity with the most representative engravers of Mannerism. The piece which emblematically represents vinification techniques is the imposing horizontal beam press from Gubbio using the so-called Caton principal, from the description made by this Roman agronomist in the 2nd-1st. century B.C.<\/p>\n

\"\"<\/a><\/p>\n

>> There are many offers to stay in Umbria and in the area of Torgiano, discover them now!<\/a><\/span><\/h2>\n

Practical Informations<\/h1>\n

Opening hours of the Museum:<\/p>\n

* Octobre – March: 10 am – 1 pm \/ 3 pm – 5 pm; from Tuesday to Sunday (closed on Monday)<\/p>\n

* April – June: 10 am – 1 pm \/ 3 pm – 6 pm;\u00a0from Tuesday to Sunday (closed on Monday)<\/p>\n

* July – Septembre: 10 am – 6 pm; all days<\/p>\n

NB: The Museum is closed on 25 December.<\/p>\n

<\/div>\n

If you are in Torgiano, we will suggest you to visit also the Olive and Oil Museum<\/strong>
\n–><\/strong>\u00a0Click here for all informations<\/a><\/span><\/p>\n

<\/div>\n
<\/div>\n<\/div>\n
\n

Conceived and created by Giorgio Lungarotti and his wife Maria Grazia, the\u00a0Wine Museum<\/strong>\u00a0was opened to the public in 1974 and is now managed by the\u00a0Lungarotti Foundation<\/em>. It is located in\u00a0Torgiano<\/strong>\u00a0in the pars agricola of the monumental\u00a0Graziani-Baglioni<\/em>\u00a0Maison, a 17th century noble summer residence.<\/p>\n

The museum covers\u00a0twenty rooms and displays<\/strong>\u00a0more than 2800 pieces, organized according to modern museological criteria and rigorous scientific protocol.<\/p>\n

In addition\u00a0to the Wine Museum,\u00a0Lungarotti\u00a0Foundation\u00a0also owns the\u00a0Olive and Oil Museum<\/a>, also in\u00a0Torgiano.<\/p>\n

\"\"<\/a><\/p>\n

>> Come to Torgiano and visit the particular Wine Museum. Here you can find the best farmhouses!<\/a><\/h2>\n

The Wine Museum<\/h1>\n

Archeological finds<\/strong>\u00a0(Cycladic jugs and Hittite vases; Greek, Etruscan and Roman ceramics; glassware and bronze pieces)\u00a0technical equipment and sets<\/strong>\u00a0for viticulture and vinification,\u00a0ceramic wine vessels<\/strong>\u00a0from the Medieval, Renaissance, Baroque and contemporary periods, engravings and drawings from the 15th to 20th centuries, learned texts on viticulture and enology, artifacts of goldsmithery, weaving and other pieces representing the applied arts,\u00a0all document the importance of wine in the collective imagery<\/strong>\u00a0of the civilizations that over the millennia have lived in the Mediterranean basin and continental Europe. Starting back in antiquity, the\u00a0vine, grapes and wine<\/em>, essential elements in the agricultural economy of these peoples, have alternated between purely economic values and the religious and profane traditions and meanings. From the most remote era to today, their recurrence in arts and crafts is constant, either as a symbol for inspiration or for productive reasons. The individual collections in the museum propose the\u00a0theme of viticulture and Bacchus as a leitmotiv<\/strong>\u00a0for reading the historical events which the individual pieces depict.<\/p>\n

In the archeological section<\/strong>, the most interesting piece is the\u00a0Kylix<\/em>\u00a0with an inscription signed by Phrinos, a member of the Group of Minor Masters, a lovely example of Attic ceramics, datable to the 6th century B.C. and the elegant\u00a0Ask\u00f3s<\/em>\u00a0in bronze from the Vesuvian area, dating back to the 1st century A.D.<\/p>\n

The ceramics collection<\/strong>\u00a0highlights one of the crafts that have most importantly characterized Umbria’s artistic heritage; among the many pieces on display, all of which represent different schools and techniques, of particular note is the large 14th century hydria with a lion-shaped centaur and a mermaid, as well as the pilgrim’s flask from Urbino, from the workshop of Orazio Fontana, whose ornate decoration includes a composition of subjects from Raffaello and Giulio Romano. In the display case with historiated renaissance plates, the plate called\u00a0“L’Infanzia di Bacco \/ The childhood of Bacchus”<\/em><\/strong>\u00a0by Mastro Giorgio Andreoli<\/em>\u00a0stands out. Inspired by an engraving by Marcantonio Raimondi from an idea of Raphael, it has particularly vivid colours and evocative iridescence resulting from the difficult luster-ware technique.\u00a0In the section wine and medicine<\/strong>, apothecary vases – of various types and production areas – are matched with antique medical texts. The ceramics portion closes with\u00a0a collection of modern works<\/strong>, among which are\u00a0Dionysos Eydendros<\/em>\u00a0by Joe Tylson and\u00a0La Baccante<\/em>\u00a0by Nino Caruso.<\/p>\n

The engravings collection<\/strong>\u00a0offers many points of interest: starting with a Bacchanalia by Andrea Mantegna (15th century) the collection shows the evolution of the dionysian theme over the centuries and the fortunes of the vineyard allegory in Christianity with the most representative engravers of
\nMannerism. The piece which emblematically represents vinification techniques is the imposing horizontal beam press from Gubbio using the so-called Caton principal, from the description made by this Roman agronomist in the 2nd-1st. century B.C.<\/p>\n

\"\"<\/a><\/p>\n

>> There are many offers to stay in Umbria and in the area of Torgiano, discover them now!<\/a><\/h2>\n

Practical Informations<\/h1>\n

Opening hours of the Museum:<\/p>\n

* Octobre – March: 10 am – 1 pm \/ 3 pm – 5 pm; from Tuesday to Sunday (closed on Monday)<\/p>\n

* April – June: 10 am – 1 pm \/ 3 pm – 6 pm;\u00a0from Tuesday to Sunday (closed on Monday)<\/p>\n

* July – Septembre: 10 am – 6 pm; all days<\/p>\n

NB: The Museum is closed on 25 December.<\/p>\n

\n
<\/div>\n

If you are in Torgiano, we will suggest you to visit also the Olive and Oil Museum<\/strong>
\n–><\/strong>\u00a0Click here for all informations<\/a><\/p>\n

<\/div>\n<\/div>\n
<\/div>\n<\/div>\n
\n

Conceived and created by Giorgio Lungarotti and his wife Maria Grazia, the\u00a0Wine Museum<\/strong>\u00a0was opened to the public in 1974 and is now managed by the\u00a0Lungarotti Foundation<\/em>. It is located in\u00a0Torgiano<\/strong>\u00a0in the pars agricola of the monumental\u00a0Graziani-Baglioni<\/em>\u00a0Maison, a 17th century noble summer residence.<\/p>\n

The museum covers\u00a0twenty rooms and displays<\/strong>\u00a0more than 2800 pieces, organized according to modern museological criteria and rigorous scientific protocol.<\/p>\n

In addition\u00a0to the Wine Museum,\u00a0Lungarotti\u00a0Foundation\u00a0also owns the\u00a0Olive and Oil Museum<\/a>, also in\u00a0Torgiano.<\/p>\n

\"\"<\/a><\/p>\n

>> Come to Torgiano and visit the particular Wine Museum. Here you can find the best farmhouses!<\/a><\/h2>\n

The Wine Museum<\/h1>\n

Archeological finds<\/strong>\u00a0(Cycladic jugs and Hittite vases; Greek, Etruscan and Roman ceramics; glassware and bronze pieces)\u00a0technical equipment and sets<\/strong>\u00a0for viticulture and vinification,\u00a0ceramic wine vessels<\/strong>\u00a0from the Medieval, Renaissance, Baroque and contemporary periods, engravings and drawings from the 15th to 20th centuries, learned texts on viticulture and enology, artifacts of goldsmithery, weaving and other pieces representing the applied arts,\u00a0all document the importance of wine in the collective imagery<\/strong>\u00a0of the civilizations that over the millennia have lived in the Mediterranean basin and continental Europe. Starting back in antiquity, the\u00a0vine, grapes and wine<\/em>, essential elements in the agricultural economy of these peoples, have alternated between purely economic values and the religious and profane traditions and meanings. From the most remote era to today, their recurrence in arts and crafts is constant, either as a symbol for inspiration or for productive reasons. The individual collections in the museum propose the\u00a0theme of viticulture and Bacchus as a leitmotiv<\/strong>\u00a0for reading the historical events which the individual pieces depict.<\/p>\n

In the archeological section<\/strong>, the most interesting piece is the\u00a0Kylix<\/em>\u00a0with an inscription signed by Phrinos, a member of the Group of Minor Masters, a lovely example of Attic ceramics, datable to the 6th century B.C. and the elegant\u00a0Ask\u00f3s<\/em>\u00a0in bronze from the Vesuvian area, dating back to the 1st century A.D.<\/p>\n

The ceramics collection<\/strong>\u00a0highlights one of the crafts that have most importantly characterized Umbria’s artistic heritage; among the many pieces on display, all of which represent different schools and techniques, of particular note is the large 14th century hydria with a lion-shaped centaur and a mermaid, as well as the pilgrim’s flask from Urbino, from the workshop of Orazio Fontana, whose ornate decoration includes a composition of subjects from Raffaello and Giulio Romano. In the display case with historiated renaissance plates, the plate called\u00a0“L’Infanzia di Bacco \/ The childhood of Bacchus”<\/em><\/strong>\u00a0by Mastro Giorgio Andreoli<\/em>\u00a0stands out. Inspired by an engraving by Marcantonio Raimondi from an idea of Raphael, it has particularly vivid colours and evocative iridescence resulting from the difficult luster-ware technique.\u00a0In the section wine and medicine<\/strong>, apothecary vases – of various types and production areas – are matched with antique medical texts. The ceramics portion closes with\u00a0a collection of modern works<\/strong>, among which are\u00a0Dionysos Eydendros<\/em>\u00a0by Joe Tylson and\u00a0La Baccante<\/em>\u00a0by Nino Caruso.<\/p>\n

The engravings collection<\/strong>\u00a0offers many points of interest: starting with a Bacchanalia by Andrea Mantegna (15th century) the collection shows the evolution of the dionysian theme over the centuries and the fortunes of the vineyard allegory in Christianity with the most representative engravers of Mannerism. The piece which emblematically represents vinification techniques is the imposing horizontal beam press from Gubbio using the so-called Caton principal, from the description made by this Roman agronomist in the 2nd-1st. century B.C.<\/p>\n

\"\"<\/a><\/p>\n

>> There are many offers to stay in Umbria and in the area of Torgiano, discover them now!<\/a><\/h2>\n

Practical Informations<\/h1>\n

Opening hours of the Museum:<\/p>\n

* Octobre – March: 10 am – 1 pm \/ 3 pm – 5 pm; from Tuesday to Sunday (closed on Monday)<\/p>\n

* April – June: 10 am – 1 pm \/ 3 pm – 6 pm;\u00a0from Tuesday to Sunday (closed on Monday)<\/p>\n

* July – Septembre: 10 am – 6 pm; all days<\/p>\n

NB: The Museum is closed on 25 December.<\/p>\n

\n
<\/div>\n

If you are in Torgiano, we will suggest you to visit also the Olive and Oil Museum<\/strong>
\n–><\/strong>\u00a0Click here for all informations<\/a><\/p>\n

<\/div>\n<\/div>\n<\/div>\n
\n

Voulu et r\u00e9alis\u00e9 par Giorgio Lungarotti et sa femme Maria Grazia, le Mus\u00e9e du Vin<\/strong> a \u00e9t\u00e9 ouvert au public en 1974 et il est aujourd’hui g\u00e9r\u00e9 par la Fondation Lungarotti<\/em>. Son si\u00e8ge est \u00e0 Torgiano<\/strong>, dans la partie agricole du monumental palais Graziani-Baglioni<\/em>, r\u00e9sidence d’\u00e9t\u00e9 noble au XVII si\u00e8cle.<\/p>\n

Le parcours du mus\u00e9e, d\u00e9velopp\u00e9 tout au long de vingt salles<\/strong>, offre plus de 2800 oeuvres, expos\u00e9es selon des crit\u00e8res mus\u00e9ographiques modernes et de grande rigueur scientifique.<\/p>\n

En plus de\u00a0le Mus\u00e9e du Vin\u00a0Lungarotti\u00a0Fondation\u00a0poss\u00e8de\u00a0le Mus\u00e9e de\u00a0l’Huile d’Olive<\/a>,\u00a0toujours dans la ville
\nde Torgiano.<\/p>\n

\"\"<\/a><\/p>\n

>>\u00a0Viens \u00e0 Torgiano pour visiter le Mus\u00e9e du Vin, ici tu peux trouver les meilleurs gite-ruraux!<\/a><\/h2>\n
<\/div>\n

Le Mus\u00e9e du Vin<\/h1>\n

Des restes arch\u00e9ologiques<\/strong> (broques cycladiques et vases; c\u00e9ramiques grecques, \u00e9trusques et romaines; verres et bronzes), outils et \u00e9quipements techniques pour la viticulture et la vinification, conteneurs en c\u00e9ramique de l’\u00e8re m\u00e9di\u00e9vale, de la Renaissance, baroque et contemporaine, incisions et dessins du XV au XX si\u00e8cles, \u00e9ditions de textes sur la viticulture et l’enologie, oeuvres d’art orf\u00e8vre, tissus et autres t\u00e9moignages “d’arts mineurs” documentent l’importance du vin dans l’imaginaire collectif des peuples qui ont habit\u00e9 au cours des si\u00e8cles le bassin de la M\u00e9diterran\u00e9e et l’Europe continentale. A partir du monde antique, vignes, raisin et vin, \u00e9l\u00e9ments porteurs de l’\u00e9conomie agricole de ces peuples, ont contribu\u00e9 aux usages religieux et profanes. Des temps les plus anciens jusqu’\u00e0 aujourd’ui, leur \u00e9vocation dans les arts et m\u00e9tiers est constante, aussi bien comme sujet iconographique qu’\u00e0 but purement productif. Les r\u00e9coltes pr\u00e9sentes au mus\u00e9e ont comme fil conducteur le th\u00e8me viticole et de Baccus pour la lecture des \u00e9v\u00e9nements historiques dont les objets deviennent l’expression.<\/p>\n

Dans la section arch\u00e9ologique<\/strong>, la kylix<\/em> avec expression sign\u00e9e par Phrinos rev\u00eat un int\u00e9r\u00eat particulier, provenant du Groupe des Petits Ma\u00eetres, bel exemple de c\u00e9ramique attique, que l’on peut dater du VI si\u00e8cle avant J\u00e9sus-Christ et l’\u00e9l\u00e9gant ask\u00f3s<\/em> en bronze de la zone v\u00e9suvienne, remontant au I si\u00e8cle apr\u00e8s J\u00e9sus-Christ.<\/p>\n

La collection de c\u00e9ramiques<\/strong> valorise l’une des activit\u00e9s qui a le plus caract\u00e9ris\u00e9 la culture artistique ombrienne; parmi les nombreuses oeuvres, toutes repr\u00e9sentatives d’\u00e9coles et de techniques, la grande \u00ab\u00a0hydria\u00a0\u00bb du XIV si\u00e8cle est digne d’int\u00e9r\u00eat, avec centaure et sir\u00e8ne, provenant de la boutique d’Orazio Fontana, qui pr\u00e9sente une exemplaire “composition” de sujets tir\u00e9s de Raffaello et Giulio Romano. Dans la vitrine des assiettes renaissance ressort L’enfance de Bacchus<\/strong><\/em> du Ma\u00eetre Giorgio Andreoli.<\/em> Tir\u00e9 d’une gravure de Marcantonio Raimondi sur une id\u00e9e de Raffaello, elle pr\u00e9sente des couleurs particuli\u00e8rement vives, avec des iridescents tr\u00e8s sugestives, r\u00e9sultat de la grande technique du lustre.\u00a0Dans la section vin-m\u00e9decine<\/strong>, des vases de parmacie – de typologies et centres de production diff\u00e9rents – se trouvent \u00e0 c\u00f4t\u00e9 d’\u00e9ditions d’\u00e9poque de textes de m\u00e9decine. Le parcours des c\u00e9ramiques se conclue par une collection d’oeuvres modernes<\/strong>, parmi lesquelles le Dionysos Eydendros<\/em> de Joe Tylson et La Bacchante<\/em> sign\u00e9e par Nino Caruso.<\/p>\n

La collection de gravures<\/strong> offre de nombreux int\u00e9r\u00eats: elle s’ouvre sur un Bacchanale d’Andrea Mantegna (XV si\u00e8cle) et montre le d\u00e9veloppement du th\u00e8me dionysiaque au cours des si\u00e8cles et la fortune de l’all\u00e9gorie de la vigne dans la christianit\u00e9 aupr\u00e8s des graveurs les plus repr\u00e9sentatifs du mani\u00e9risme. Documentant les techniques de vinification, il faut surtout noter l’imposant pressoir de Gubbio, appartenant \u00e0 la typologie dite “de Catone”, pour la description qu’en a faite l’agronome romain entre le II et le I si\u00e8cles avant J\u00e9sus-Christ.<\/p>\n

\"\"<\/a><\/p>\n

>> Il y a plusieurs offres pour s\u00e9journer en Ombrie ou dans la zone de Torgiano, d\u00e9couvrez-les maintenant!<\/a><\/h2>\n

Informations pratiques<\/h1>\n

Horaires d’ouverture du Mus\u00e9e:<\/p>\n

* Octobre – Mars: 10-13 \/ 15-17\u00a0; du Mardi au Dimanche (ferm\u00e9 le Lundi)<\/p>\n

* Avril – Juin: 10-13 \/ 15-18\u00a0;\u00a0du Mardi au Dimanche (ferm\u00e9 le Lundi)<\/p>\n

* Juillet – Septembre: 10 – 18; toute la semaine<\/p>\n

NB: Le Mus\u00e9e est ferm\u00e9 le 25 D\u00e9cembre<\/p>\n

<\/div>\n

Si vous etes \u00e0 Torgiano, nous vous conseillons aussi de visite le Mus\u00e9e de l’Olive et de l’Huile<\/strong>
\n–><\/strong>\u00a0Cliquez ici pour toutes les informations<\/a><\/p>\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Wine Museum was opened to the public in 1974 and is now managed by the Lungarotti Foundation. 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